BTS' Suga put South Korean music labels on the spot for mistreating their singers and other talent as though they are "products".
In an interview with Weverse Magazine , the singer shared his two cents on how the K-pop industry has been very problematic with the way they treat their artists to the point of exhaustion.
The Brash, Exuberant Sounds of Hyperpop | The New Yorker
In 2014, music fans and critics began paying close attention to a mysterious group of artists who'd started releasing tracks online. They were part of PC Music, a loose electronic-music collective that functioned more like a conceptual-art project.
That term, "hyper-pop," was such an intuitively accurate way to describe this scene that it eventually became a catchall for the many subgenres, artists, and micro-communities that the PC Music movement helped give rise to.
'Happier Than Ever' by Billie Eilish Review: Growing Ups and Downs - WSJ
Billie Eilish's 2019 debut album "When We All Fall Asleep, Where Do We Go?" was notable because of the singer's age—she was 17 on its release date—and because of its massive streaming numbers and five Grammy wins. But it was also a mainstream smash of rare substance.
Pop star Tove Lo on matching makeup to her mood
While Swedish pop artist Tove Lo is adept at translating her emotions into music (her consecutive placements on the Billboard music charts speak to that), she has recently come to view makeup as a means of communication, as well.
"The connection between music and makeup, for me, has a lot to do with expression; I used to not view makeup as a way of expressing myself. It was to hide flaws," said the "Habits" singer.
Clairo Recovers from Viral Fame | The New Yorker
The song that Clairo played, "Blouse," is a ruminative acoustic track about the experience of receiving the wrong sorts of attention from her colleagues in the music industry. It sounded more like a lost Joni Mitchell song than anything Clairo or her peers have recorded in the current era.
"Sling," Clairo's sophomore album, shows that she is not particularly interested in aligning with contemporary trends, or fitting into the landscape of pop music at all.
Behind The Music feels deeply inessential in 2021
It also highlights the recycled nature of the program, which purports to be a reboot, but is really more of a rehash. There are already extant episodes of Behind The Music that focus on these artists—two, in fact, in the case of both Martin and LL Cool J.
The story of Specialty Records, the most influential label of all time
As it celebrates its 75th anniversary with a new compilation, Jordan Bassett explores the imprint that gave us Little Richard – and therefore The Beatles, Prince, David Bowie and so much more
I f it wasn't for Specialty Records, you wouldn't be reading this article – and not just because it's an article about Specialty Records.
Ashley Tisdale On Baby Jupiter, Vanessa Hudgens & A Music Comeback
If it feels weird as a fan seeing Sharpay Evans as a mom, imagine how it feels for Tisdale's friends, who rarely saw her pregnant due to to the star locking herself in during the COVID-19 pandemic. "To kind of go from that to like, 'I have a baby!' It's so crazy for people," she says, laughing.
Red Dress song: Divisive pop video 'did what it set out to do' - BBC News
A student whose pop video has garnered thousands of critical comments online says she has accomplished what she set out to do.
Sarah Brand's song Red Dress has more than half a million hits on YouTube, but much of the feedback has centred on making fun of the track or debating whether it is an elaborate hoax.
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