Arthur and Abrams have collaborated on similar projects in the past, including a rap opera about Muhammad Ali in 2017. O'Neil Arnold/Courtesy of the artist hide caption
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Ari Shapiro: So, before you tell us what the audience at home will actually hear in this program, tell us what you were hoping to achieve with this performance.
Jecorey, what are you trying to do with this program and what do you hope the audience specifically gets out of tomorrow night?
Check out this next:
Global Stock Music Market Outlook and Forecast 2021-2026: Simplifying Licensing, Increasing
DUBLIN , March 26, 2021 /PRNewswire/ -- The "Stock Music Market - Global Outlook and Forecast 2021-2026" report has been added to ResearchAndMarkets.com's offering.
The global stock music market by revenue is expected to grow at a CAGR of over 10% during 2020-2026.
The stock music market is observing a flurry of approaches. Platform integration is one such approach that is increasingly being witnessed across the market. It puts all the control in the hands of the creator, helping in reducing costs of having to source content from outside, and ridding users of the trouble resulting from coming to a grinding halt due to dependency and delays.
Music is Art releases new ‘Good Neighbors’ album to benefit struggling local artists
BUFFALO, N.Y. (WIVB) — A new album is highlighting music talent in Western New York. Music is Art is presenting “Good neighbors – Volume 1”.
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The program director and an artist featured on the album joined us on WakeUp to tell us about the music.
They tell us all the money from the album goes to local artists who’ve struggled this last year.
Program Director and Artist Sarah Elizabeth told us, “We pulled this project together in the middle of a pandemic, none of us have played gigs in a year and music is art is always very generous to donate proceeds like this to artists in times when they need it.”
Bridging Time, Distance and Distrust, With Music - The New York Times
RABAT, Morocco — Neta Elkayam did not really understand the depth of her dual identity until, in her late 20s, she and a friend took a trip from their home country, Israel, to that of their parents, Morocco.
Now 41, Ms. Elkayam, a singer and visual artist, has since earned a following with recordings of the music of Morocco's Jews , most of whom left that country decades ago. Ms. Elkayam has joined the ranks of artists from scattered people around the world whose longing for a lost homeland has helped preserve once-thriving cultures.
And here's another article:
mitú Creates 360º Music Ecosystem 'Latido Music by mitú' Dedicated to
Incorporating Latido Music's classic, 1990s-style, 24-hour linear TV rotation of music videos, Latido Music by mitú will amplify the viewing experience with the debut of produced series and franchises including interview-format shows, music and entertainment news, as well as longer format documentaries and talent profiles.
"mitú is one of the few English content platforms that celebrates all things Latino, so it was important for us to bring in Luciana, one of the leading experts who can produce compelling TV entertainment content but also understand how to adapt it to a digital-first Millennial and Gen Z social media ecosystem," said Stephen Brooks, mitú and Latido Music president. "We're absolutely thrilled to have her helming Latido Music by mitú."
Change the tune: How Rochester’s music scene is navigating the pandemic one year later |
ROCHESTER, N.Y. (WROC) — While businesses across many industries slowly begin to reopen, there are sectors still reeling more than a year after the pandemic began, including professional musicians.
“Since Cuomo made the first announcement about capacity, I've lost $10,000 since then. For musicians, that's really devastating, because that's not something that comes back."
A year later, he said the amount is now four times that — $40,000. Losses include studio work, wedding gigs that were canceled, and other performances that were dropped.
Music's Most Treacherous Assignment: Finishing Mozart - The New York Times
For a musician, there could hardly be a more perilous task than completing works left unfinished by Mozart.
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What began as a musicological lark for Jones, a Mozart expert who teaches at the Royal Academy of Music in London, has now been captured on disc. His completions of several fragments for violin and keyboard were released on Friday on the Channel Classics label, played by the violinist Rachel Podger and, on fortepiano, Christopher Glynn.
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